15+ years turning himself into hyper-realistic animals with nothing but paint and prosthetics for Corporate stages, Festivals, Galleries, Weddings, and every stripe of event in between. These tutorials pull back the curtain on exactly how it's done: brush by brush, layer by layer, mistake by (occasionally spectacular) mistake, with real technique. Often funny and sometimes genuinely informative facts about whatever creature's on the table that day, and commentary stitched in during editing, because who is going to watch ten hours of painting in real time. Ten-plus hours on something like a zebra is either meditative or a slow descent into delirium — we just give you the highlights.